From Wikipedia, the free encyclopedia
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1
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Piccadilly Palare
Morrissey •
Morrissey •
w: Morrissey, Armstrong •
1990 /10 /08
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3:26 |
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2
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Get Off the Stage
Morrissey •
Morrissey •
1990 /10 /08
|
3:07 |
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3
|
At Amber
Morrissey •
Morrissey •
w: Morrissey, Stephen Street •
1990 /10 /08
|
2:43 |
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1
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Piccadilly Palare
Morrissey •
Morrissey •
w: Morrissey, Armstrong •
1990 /10 /08
• from Single: Piccadilly Palare
|
3:26 |
|
|
2
|
Interesting Drug
Morrissey •
Morrissey •
w: Morrissey and Street •
1989 /04 /17
• from Single: Interesting Drug
|
3:27 |
|
|
3
|
November Spawned A Monster
Morrissey •
Morrissey •
w: Morrissey, Langer •
1990 /04 /23
• from Single: November Spawned a Monster
|
5:25 |
|
|
4
|
Will Never Marry
Morrissey •
Morrissey •
w: Morrissey and Street •
1988 /05 /30
• from Single: Everyday Is Like Sunday
|
2:22 |
|
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5
|
Such A Little Thing Makes Such A Big Difference
Morrissey •
Morrissey •
w: Morrissey and Street •
1989 /04 /17
• from Single: Interesting Drug
|
2:51 |
|
|
6
|
The Last Of The Famous International Playboys
Morrissey •
Morrissey •
w: Morrissey and Street •
1989 /01 /30
• from Single: The Last of the Famous International Playboys
|
3:37 |
|
|
7
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Ouija Board Ouija Board
Morrissey •
Morrissey •
w: Morrissey and Street •
1989 /11 /13
• from Single: Ouija Board, Ouija Board
|
4:24 |
|
|
8
|
Hairdresser On Fire
Morrissey •
Morrissey •
w: Morrissey and Street •
1988 /02 /15
• from Single: Suedehead
|
3:50 |
|
|
9
|
Everyday Is Like Sunday
Morrissey •
Morrissey •
w: Morrissey and Street •
1988 /03 /14
• from Studio: Viva Hate
|
3:33 |
|
|
10
|
He Knows I`d Love To See Him
Morrissey •
Morrissey •
w: Morrissey, Armstrong •
1990 /04 /23
• from Single: November Spawned a Monster
|
3:08 |
|
|
11
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Yes I Am Blind
Morrissey •
Morrissey •
w: Morrissey, Rourke •
1989 /11 /13
• from Single: Ouija Board, Ouija Board
|
3:44 |
|
|
12
|
Lucky Lisp
Morrissey •
Morrissey •
w: Morrissey and Street •
1989 /01 /30
• from Single: The Last of the Famous International Playboys
|
2:51 |
|
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13
|
Suehead
Morrissey •
1988 /05 /30
|
3:53 |
|
|
14
|
Disappointed
Morrissey •
Morrissey •
w: Morrissey and Street •
1988 /05 /30
• from Single: Everyday Is Like Sunday
|
3:05 |
|
"Piccadilly Palare" | ||||
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![]() | ||||
Single by Morrissey | ||||
from the album Bona Drag | ||||
B-side |
| |||
Released | 8 October 1990 | |||
Length | 3:26 | |||
Label | His Master`s Voice | |||
Songwriter(s) |
| |||
Producer(s) | ||||
Morrissey singles chronology | ||||
|
From Wikipedia, the free encyclopedia
Leer más
1990 single by Morrissey
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
"Piccadilly Palare" is a song by the English singer Morrissey, released as a single in October 1990 by His Master`s Voice. The song features one of Morrissey`s former colleagues from the Smiths, Andy Rourke on bass guitar, marking the last time any former member of the Smiths would collaborate with Morrissey. Backing vocals were provided by Suggs, lead vocalist of the ska and pop band Madness. "Piccadilly Palare" reached number 18 on the UK Singles Chart and number five in Ireland.
As with "November Spawned a Monster", Morrissey chose to write about a subject unusual in pop music, namely male prostitution around the Piccadilly area of London. The title of the song refers to the cant slang language Polari, first used by male prostitutes in the 19th century and then taken up by homosexuals in the 1960s to disguise sexual activities which were illegal in the UK until 1967. Morrissey explained, "There was something oddly romantic about the whole thing. It spelt `freedom`. Catching a coach and spending a day in Piccadilly was extraordinary".[2]
Morrissey wrote in his 2013 autobiography that he disliked the song. He called it "...a student work of novelty that wears off before noon".[3] In 1990, he said of the song:
It`s not a particularly strong record. It`s not overwhelming, the subject is even slightly dated. "Piccadilly Palare", which will receive blanket horrendous reviews, is a song about male prostitution. But I`m not running around in the street saying `Look at me singing about male prostitution, isn`t that incredibly unique!` I don`t want plaudits for examining a new subject, but I will say that even coming across a pop record with a reasonably unique situation is in itself interesting.[4]
NME gave "Piccadilly Palare" a positive review, saying "It`s amazing what a slap across the wrist can do for the creative juices."[5] Ned Raggett of AllMusic called the song "another glam-touched chugger, its emotional heft provided by the wounded, bitter lyrics."[1]
7-inch vinyl and cassette
12-inch vinyl and CD
Chart (1990) | Peak position |
---|---|
Europe (Eurochart Hot 100)[6] | 51 |
Ireland (IRMA)[7] | 5 |
UK Singles (OCC)[8] | 13 |
US Alternative Airplay (Billboard)[9] | 2 |
Country | Record label | Format | Catalogue number | Notes |
---|---|---|---|---|
UK | His Master`s Voice | 7-inch vinyl | POP1624 | |
UK | His Master`s Voice | 12-inch vinyl | 12POP1624 | |
UK | His Master`s Voice | Compact disc | CDPOP1624 | |
UK | His Master`s Voice | Cassette | TCPOP1624 |
From Wikipedia, the free encyclopedia
1990 single by Morrissey
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
"Piccadilly Palare" is a song by the English singer Morrissey, released as a single in October 1990 by His Master`s Voice. The song features one of Morrissey`s former colleagues from the Smiths, Andy Rourke on bass guitar, marking the last time any former member of the Smiths would collaborate with Morrissey. Backing vocals were provided by Suggs, lead vocalist of the ska and pop band Madness. "Piccadilly Palare" reached number 18 on the UK Singles Chart and number five in Ireland.
As with "November Spawned a Monster", Morrissey chose to write about a subject unusual in pop music, namely male prostitution around the Piccadilly area of London. The title of the song refers to the cant slang language Polari, first used by male prostitutes in the 19th century and then taken up by homosexuals in the 1960s to disguise sexual activities which were illegal in the UK until 1967. Morrissey explained, "There was something oddly romantic about the whole thing. It spelt `freedom`. Catching a coach and spending a day in Piccadilly was extraordinary".[2]
Morrissey wrote in his 2013 autobiography that he disliked the song. He called it "...a student work of novelty that wears off before noon".[3] In 1990, he said of the song:
It`s not a particularly strong record. It`s not overwhelming, the subject is even slightly dated. "Piccadilly Palare", which will receive blanket horrendous reviews, is a song about male prostitution. But I`m not running around in the street saying `Look at me singing about male prostitution, isn`t that incredibly unique!` I don`t want plaudits for examining a new subject, but I will say that even coming across a pop record with a reasonably unique situation is in itself interesting.[4]
NME gave "Piccadilly Palare" a positive review, saying "It`s amazing what a slap across the wrist can do for the creative juices."[5] Ned Raggett of AllMusic called the song "another glam-touched chugger, its emotional heft provided by the wounded, bitter lyrics."[1]
7-inch vinyl and cassette
12-inch vinyl and CD
Chart (1990) | Peak position |
---|---|
Europe (Eurochart Hot 100)[6] | 51 |
Ireland (IRMA)[7] | 5 |
UK Singles (OCC)[8] | 13 |
US Alternative Airplay (Billboard)[9] | 2 |
Country | Record label | Format | Catalogue number | Notes |
---|---|---|---|---|
UK | His Master`s Voice | 7-inch vinyl | POP1624 | |
UK | His Master`s Voice | 12-inch vinyl | 12POP1624 | |
UK | His Master`s Voice | Compact disc | CDPOP1624 | |
UK | His Master`s Voice | Cassette | TCPOP1624 |