1971 studio album by Chicago

Chicago III is the third studio album by the American rock band Chicago. It was released on January 11, 1971, through Columbia Records. The album was produced by James William Guercio and was the band`s third consecutive double album in less than two years.[2]

Much like the previous year`s Chicago (many times referred to as Chicago II), Chicago III is made up of both multi-part suites and more conventional individual songs. The album saw the band integrate a number of different genres including folk and country ("What Else Can I Say", "Flight 602"), free improvisation ("Free Country"), and musique concrète ("Progress?") into their sound, while also continuing in their trademark jazz-rock style.

Chicago III was a critical and commercial success. It peaked at number two in the US, their highest chart placement at that point, and received positive reviews. While neither of its singles ("Free" and "Lowdown") matched the success of the band`s previous and following singles, both managed to make the top 40, peaking at numbers 20 and 35, respectively. After the release of the album, Chicago would perform at New York`s Carnegie Hall. Performances from this run would be released on the following album, Chicago at Carnegie Hall.

Background

In the wake of the enormous worldwide success of their second album, Chicago spent almost all of 1970 on the road, an exhausting undertaking. Former drummer Danny Seraphine, described the members of the band as "fatigued and road-weary" when they went into the studio to record the album.[3]: 122 

Released in January 1971, initially on Columbia Records, Chicago III — the band`s first album to sport a Roman numeral in its title[2] — sold well upon its release and was certified gold by the Recording Industry Association of America (RIAA) a month later.[4] It provided Chicago with its highest charting disc yet in the US, going to No. 2 on the Billboard 200.[5] "Free", written by Robert Lamm, made it into the top 20 of the Billboard Hot 100 chart, and "Lowdown", co-written by Peter Cetera and Danny Seraphine, reached the top 40.[6] Chicago III marked a dwindling in UK fortunes in comparison to the band`s first two albums, Chicago Transit Authority and Chicago, reaching No. 9 in a brief chart run.[7]

In 1974, jazz bandleader Stan Kenton added a suite of songs from the album ("Canon", "Mother", "Once Upon a Time" and "Free") to his band`s repertoire, releasing it on the album Stan Kenton Plays Chicago.[8]

Musical style, writing, composition

The band had used up its storehouse of original material on its first two albums. It needed new material for Chicago III, and the songwriters worked "nonstop"[3]: 122  Danny Seraphine said the band "took the opportunity to experiment with instrumentals and showcase our skills as musicians."[3]: 122 

Their long hours on the road gave the principal songwriters, Robert Lamm, Terry Kath and James Pankow, much food for thought, resulting in more serious subject matter, which contrasted with the positivity of their first two sets. In his retrospective review of the album, Jeff Giles writes that Lamm`s "Travel Suite" was "inspired by the boredom, loneliness, and beauty of the road," and characterizes Pankow`s "Elegy" suite is an "ecologically minded composition"[9] (an issue Lamm also touches upon in "Mother"). While Kath`s multi-part "An Hour in the Shower" provides a reprieve from the sobering explorations elsewhere, Chicago III was undeniably the result of a band who had seen the flip side of the world over the last several months. "Lowdown", co-written by Peter Cetera and Danny Seraphine, was Seraphine`s first co-writing credit, and he was appreciative of the support Cetera gave him during the writing process.[3]: 123 

Chicago III incorporates a variety of musical styles.[10] "Sing a Mean Tune Kid" features the influence of funk, "What Else Can I Say" and "Flight 602" have a country feel, while abstract qualities are found in "Free Country" and "Progress?".

Recording and production

The album was produced by James William Guercio, who was Chicago`s producer for its first eleven albums.[11][12] This album was mixed and released in both stereo and quadraphonic. In 2002, Chicago III was remastered and reissued on one CD by Rhino Records.[13]

Artwork and packaging

The album cover design is titled "Tattered Flag" on the band`s website.[2] Included with the album was a poster of the band dressed in the uniforms of America`s wars, standing in front of a field of crosses, representing those who had died in the still ongoing Vietnam War. It also gave the number of casualties from each war up until the time of the album`s release.[14]

Track listing

Personnel

Chicago

• Peter Cetera – bass, lead and backing vocals
• Terry Kath – guitars, lead and backing vocals
• Robert Lamm – keyboards, lead and backing vocals, spoken word on "When All the Laughter Dies in Sorrow".
• Lee Loughnane – trumpet
• James Pankow – trombone
• Walter Parazaider – saxophone, flute
• Danny Seraphine – drums, percussion

Production

• Producer – James William Guercio
• Engineering – Don Puluse and Sy Mitchell
• Recording – Lou Waxman and Willie Greer
• Logo design – Nick Fasciano
• Album design – John Berg
• Flag design – Natalie Williams
• Photography – Sandy Speiser
• Poster photo – Steve Horn and Norm Griner
• Lettering – Annette Kawecki and Melanie Marder for Poseidon Productions

Charts

Certifications