From Wikipedia, the free encyclopedia
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1
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Time After Time
Rod Stewart •
w: Sammy Cahn, Jule Styne •
2004
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0:00 |
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1
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Time After Time
Rod Stewart •
w: Sammy Cahn, Jule Styne •
2003 /10 /14 1
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0:00 |
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2
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I`m in the Mood for Love
Rod Stewart •
w: Dorothy Fields, Jimmy McHugh •
2003 /10 /14 1
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3:07 |
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3
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Don`t Get Around Much Anymore
Rod Stewart •
w: Duke Ellington, Bob Russell •
2003 /10 /14 1
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2:48 |
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4
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Bewitched, Bothered & Bewildered (duet with Cher)
Rod Stewart •
w: Richard Rodgers, Lorenz Hart •
2003 /10 /14 1
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4:14 |
|
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5
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Till There Was You
Rod Stewart •
w: Meredith Willson •
2003 /10 /14 1
|
2:51 |
|
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6
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Until the Real Thing Comes Along
Rod Stewart •
w: Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner, Alberta Nichols •
2003 /10 /14 1
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3:38 |
|
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7
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Where or When
Rod Stewart •
w: Rodgers, Hart •
2003 /10 /14 1
|
3:10 |
|
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8
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Smile
Rod Stewart •
w: Charlie Chaplin, Geoffrey Claremont Parsons, John Turner •
2003 /10 /14 1
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0:00 |
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9
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My Heart Stood Still
Rod Stewart •
w: Rodgers, Hart •
2003 /10 /14 1
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3:03 |
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10
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Someone to Watch Over Me
Rod Stewart •
w: George Gershwin, Ira Gershwin •
2003 /10 /14 1
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3:30 |
|
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11
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As Time Goes By (duet with Queen Latifah)
Rod Stewart •
w: Herman Hupfeld •
2003 /10 /14 1
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3:48 |
|
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12
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I Only Have Eyes for You
Rod Stewart •
w: Al Dubin, Harry Warren •
2003 /10 /14 1
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0:00 |
|
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13
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Crazy She Calls Me
Rod Stewart •
w: Bob Russell, Carl Sigman •
2003 /10 /14 1
|
3:27 |
|
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14
|
Our Love Is Here to Stay
Rod Stewart •
w: G. Gershwin, I. Gershwin •
2003 /10 /14 1
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2:57 |
|
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1
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My Favourite Things
Rod Stewart •
w: Rogers, Oscar Hammerstein II •
2003 /10 /14 UK bonus track
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0:00 |
|
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1
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My Favourite Things
Rod Stewart •
w: Rogers, Oscar Hammerstein II •
2003 /10 /14 Japanese bonus tracks
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0:00 |
|
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2
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These Foolish Things (Remind Me of You) (live; previously issued on It Had to Be You: The Great American Songbook concert DVD)
Rod Stewart •
Rod Stewart •
w: Jack Strachey, Holt Marvell •
2003 /10 /14 Japanese bonus tracks
|
3:48 |
|
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3
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The Way You Look Tonight (live; previously issued on It Had to Be You: The Great American Songbook concert DVD)
Rod Stewart •
Rod Stewart •
w: Jerome Kern, Dorothy Fields •
2003 /10 /14 Japanese bonus tracks
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3:49 |
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"Time After Time" | |
---|---|
Song | |
Published | 1947 by Barton Music |
Composer(s) | Jule Styne |
Lyricist(s) | Sammy Cahn |
From Wikipedia, the free encyclopedia
Leer más
1947 song by Sammy Cahn and Jule Styne
For other songs with the same name, see Time After Time (disambiguation) ? Songs.
"Time After Time" is a romantic jazz standard with lyrics written by Sammy Cahn and music by Jule Styne in 1946.
The first recording was on November 19, 1946 for Musicraft[1] by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass.
The song was written for Frank Sinatra to introduce in the 1947 MGM film It Happened in Brooklyn. The pianist providing the offscreen accompaniment was André Previn to an arrangement of Axel Stordahl. Later in the film, the song was reprised in full by Kathryn Grayson. The only contemporary recording by a British artist was the one by Steve Conway.[2]
Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra.[3] After it emerged as a jazz standard thanks to saxophonists like Getz and Coltrane, 1959 was a banner year for its popularity, being covered by many pop and jazz vocalists.[4]
From Wikipedia, the free encyclopedia
1947 song by Sammy Cahn and Jule Styne
For other songs with the same name, see Time After Time (disambiguation) ? Songs.
"Time After Time" is a romantic jazz standard with lyrics written by Sammy Cahn and music by Jule Styne in 1946.
The first recording was on November 19, 1946 for Musicraft[1] by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass.
The song was written for Frank Sinatra to introduce in the 1947 MGM film It Happened in Brooklyn. The pianist providing the offscreen accompaniment was André Previn to an arrangement of Axel Stordahl. Later in the film, the song was reprised in full by Kathryn Grayson. The only contemporary recording by a British artist was the one by Steve Conway.[2]
Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra.[3] After it emerged as a jazz standard thanks to saxophonists like Getz and Coltrane, 1959 was a banner year for its popularity, being covered by many pop and jazz vocalists.[4]