Wolftracks | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | 1982 | |||
Studio | Ocean Way, Hollywood, California | |||
Genre | Rock | |||
Length | 45:09 | |||
Label | Wolf | |||
Producer | John Kay, Richard Podolor | |||
Steppenwolf chronology | ||||
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Singles from Wolftracks | ||||
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From Wikipedia, the free encyclopedia
Leer más
From Wikipedia, the free encyclopedia
Leer más
For other uses, see Wolf Tracks (disambiguation).
1982 studio album by Steppenwolf
Wolftracks is an album by John Kay and Steppenwolf, released in 1982 by Wolf Records, with distribution by Nautilus Records in the U.S. and Attic Records in Canada.[1] It was the first new studio album in six years for John Kay, featuring a new line-up of Steppenwolf and Kay renaming the group accordingly.
In 1980, John Kay reclaimed the Steppenwolf name, touring as “John Kay & Steppenwolf.” The album Wolftracks, the first after the band reformed, was recorded "live" in the studio on a 2-track digital recorder, which was then a new medium.[2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Rolling Stone Album Guide | [4] |
The Globe and Mail wrote that "the basic elements are all there: Kay`s husky, Wilson Pickett singing style dominates the digitally processed mix, and Michael Wilk adds the familiar, fat organ sounds to the lurching, half-soul and half-rock beat."[5]
Side one
Side two
From Wikipedia, the free encyclopedia
For other uses, see Wolf Tracks (disambiguation).
1982 studio album by Steppenwolf
Wolftracks is an album by John Kay and Steppenwolf, released in 1982 by Wolf Records, with distribution by Nautilus Records in the U.S. and Attic Records in Canada.[1] It was the first new studio album in six years for John Kay, featuring a new line-up of Steppenwolf and Kay renaming the group accordingly.
In 1980, John Kay reclaimed the Steppenwolf name, touring as “John Kay & Steppenwolf.” The album Wolftracks, the first after the band reformed, was recorded "live" in the studio on a 2-track digital recorder, which was then a new medium.[2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Rolling Stone Album Guide | [4] |
The Globe and Mail wrote that "the basic elements are all there: Kay`s husky, Wilson Pickett singing style dominates the digitally processed mix, and Michael Wilk adds the familiar, fat organ sounds to the lurching, half-soul and half-rock beat."[5]
Side one
Side two