Rock and roll music
Todas las bandas, solistas, guitarristas y músicos del rock.
| Clics modernos | ||||
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| Studio album by | ||||
| Released | November 5, 1983 | |||
| Studio | Various
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| Genre | ||||
| Length | 34:29 | |||
| Language | Spanish | |||
| Label |
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| Producer |
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| Charly García chronology | ||||
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| Singles from Clics modernos | ||||
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Charly Garcia - Nos Siguen Pegando Abajo (Noche De Gigantes, Chile 1984) · Channel: chileenvivo · 3m 3s
Title:
1-Nos siguen pegando abajo (pecado mortal)
Charly García - No Soy Un Extraño (En Directo / Estadio Lu... · Channel: CharlyGarciaVEVO · 3m 29s
Charly García - Dos Cero Uno (En Directo / Estadio Luna Par... · Channel: CharlyGarciaVEVO · 2m 58s
Charly García - Nuevos Trapos (En Directo / Estadio Luna Pa... · Channel: CharlyGarciaVEVO · 3m 50s
Charly Garcia - Bancate ese defecto (Badia & Cia 1984) · Channel: wwwwxxsaynomore · 6m 25s
Charly García - No Me Dejan Salir · Channel: CharlyGarciaVEVO · 4m 10s
Charly García - Los Dinosaurios (En Directo / Estadio Luna ... · Channel: CharlyGarciaVEVO · 3m 16s
Charly García - Plateado Sobre Plateado (Huellas En El Mar)... · Channel: CharlyGarciaVEVO · 4m 58s
Charly García - Ojos De Video Tape (En Directo / Estadio Lu... · Channel: CharlyGarciaVEVO · 3m 36s
Clics modernos
Charly Garcia
1983
Estudio
Discográfica: Interdisc SG Discos · Estudio de grabación: ; Electric Lady Studios and Gramavision Studios, New York; Cherokee Studios and Room, Los Angeles · Productor: Charly GarcÃa , Joe Blaney
From Wikipedia, the free encyclopedia
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Review
From Wikipedia, the free encyclopedia
Leer más
1983 studio album by Charly García
Clics modernos (pronounced [kli? pounds s moˈðeɾnos]; Spanish for "modern clicks") is the second solo studio album by the Argentine musician Charly García, released on November 5, 1983 on SG Discos and Interdisc. It was a decisive work to consolidate the modern trends that would mark the profile of Argentine rock during the 1980s and saw García heralded as a "revolutionary" for his musical and lyrical boldness. [1] It was ranked at number two in the Argentine edition of Rolling Stone`s list of The 100 Greatest Albums of Argentine Rock.
Overview
After his first solo tour of Argentina in 1982, García began a new project with his manager Daniel Grinbank. García went to New York to record his next album, with Pedro Aznar, who was living there while playing in the Pat Metheny band. The black silhouette figure on the cover photo for the album is by Conceptual Artist Richard Hambleton who is known as the Shadowman.[2][3]
Composition
The album has a strong new wave influence, with a significant use of synthesizers and samplers.[4]
The album used a Roland TR-808 drum machine instead of a human drummer (even though Casey Scheuerell played drums on some of the songs), resulting in a more poppy and rhythm-heavy sound than in García`s previous work.[5]
Release and promotion
Clics modernos was released on November 5, 1983 on Interdisc and SG Discos.
García presented the album between December 15 and 18, 1983 at the Luna Park Stadium in Buenos Aires.[4] The concerts featured keyboardist Fito Páez, backing vocalist Fabiana Cantilo, drummer Willy Iturri, bassist Alfredo Toth, guitarist Pablo Guyot and saxophonists Gonzalo Palacios and Daniel Melingo.[6] The performance was acclaimed by specialized magazine Pelo, describing it as "captivating" and considering it one of the greatest shows of the year.[6]
Songs such as "Plateado sobre plateado (huellas en el mar)" were debuted live in early 1983 during a series of concerts at the Estadio Obras Sanitarias.[7]
Reception
In 2008, Rolling Stone Argentina stated that "for many, [it is] Charly`s best album, a record that found him on a superlative level".[8]
Accolades
| Publication | Country | Accolade | Year | Rank | ||
|---|---|---|---|---|---|---|
| Al Borde | United States | The 250 Most Important Latin Rock Albums[citation needed] | 2006 | 3 | ||
| Rolling Stone | Argentina | 100 Greatest Albums of Argentine Rock[citation needed] | 2007 | 2 | ||
| Switch | Mexico | The 100 Best Albums of the 20th Century[citation needed] | 1999 | * | ||
| (*) designates list that is unordered. | ||||||
Track listing
All tracks are written by Charly García
| No. | Title | Length |
|---|---|---|
| 1. | "Nos siguen pegando abajo (Pecado Mortal)" | 3:30 |
| 2. | "No soy un extraño" | 3:18 |
| 3. | "Dos cero uno (Transas)" | 2:09 |
| 4. | "Nuevos trapos" | 4:08 |
| 5. | "Bancate ese defecto" | 4:56 |
| No. | Title | Length |
|---|---|---|
| 6. | "No me dejan salir" | 4:21 |
| 7. | "Los dinosaurios" | 3:28 |
| 8. | "Plateado sobre plateado (huellas en el mar)" | 5:02 |
| 9. | "Ojos de video tape" | 3:37 |
| Total length: | 34:29 | |
Personnel
Credits adapted from Clics modernos` liner notes.[9]
- Charly García – writer, producer, mixer, vocals, keyboards, sampler, groovebox, effects, rhythm box, electric guitar
- Larry Carlton – guitar on "No Soy Un Extraño", "Los Dinosaurios", "Plateado Sobre Plateado (Huellas En El Mar)"
- Pedro Aznar – fretless bass guitar (all tracks except "Nuevos Trapos"), vocals and guitar on "Nos Siguen Pegando Abajo"
- Casey Scheuerell – drums on "Bancate Ese Defecto", "No Me Dejan Salir", "Plateado Sobre Plateado", Simmons drums on "Nos Siguen Pegando Abajo", "No Me Dejan Salir", tabla on "Dos Cero Uno"
- Doug Norwine – saxophone on "Nuevos Trapos"
- Joe Blaney – engineer, mixing
- Ted Jensen – mastering
- Daniel Goldberg – producer assistant
- Carlos Pirín Geniso – producer assistant
- Don Koldom – auxiliar engineer
- Hal Sacks – auxiliar engineer
- Uberto Sagramoso – cover photography
- Ada Moreno – inner booklet photography
From Wikipedia, the free encyclopedia
1983 studio album by Charly García
Clics modernos (pronounced [kli? pounds s moˈðeɾnos]; Spanish for "modern clicks") is the second solo studio album by the Argentine musician Charly García, released on November 5, 1983 on SG Discos and Interdisc. It was a decisive work to consolidate the modern trends that would mark the profile of Argentine rock during the 1980s and saw García heralded as a "revolutionary" for his musical and lyrical boldness. [1] It was ranked at number two in the Argentine edition of Rolling Stone`s list of The 100 Greatest Albums of Argentine Rock.
Overview
After his first solo tour of Argentina in 1982, García began a new project with his manager Daniel Grinbank. García went to New York to record his next album, with Pedro Aznar, who was living there while playing in the Pat Metheny band. The black silhouette figure on the cover photo for the album is by Conceptual Artist Richard Hambleton who is known as the Shadowman.[2][3]
Composition
The album has a strong new wave influence, with a significant use of synthesizers and samplers.[4]
The album used a Roland TR-808 drum machine instead of a human drummer (even though Casey Scheuerell played drums on some of the songs), resulting in a more poppy and rhythm-heavy sound than in García`s previous work.[5]
Release and promotion
Clics modernos was released on November 5, 1983 on Interdisc and SG Discos.
García presented the album between December 15 and 18, 1983 at the Luna Park Stadium in Buenos Aires.[4] The concerts featured keyboardist Fito Páez, backing vocalist Fabiana Cantilo, drummer Willy Iturri, bassist Alfredo Toth, guitarist Pablo Guyot and saxophonists Gonzalo Palacios and Daniel Melingo.[6] The performance was acclaimed by specialized magazine Pelo, describing it as "captivating" and considering it one of the greatest shows of the year.[6]
Songs such as "Plateado sobre plateado (huellas en el mar)" were debuted live in early 1983 during a series of concerts at the Estadio Obras Sanitarias.[7]
Reception
In 2008, Rolling Stone Argentina stated that "for many, [it is] Charly`s best album, a record that found him on a superlative level".[8]
Accolades
| Publication | Country | Accolade | Year | Rank | ||
|---|---|---|---|---|---|---|
| Al Borde | United States | The 250 Most Important Latin Rock Albums[citation needed] | 2006 | 3 | ||
| Rolling Stone | Argentina | 100 Greatest Albums of Argentine Rock[citation needed] | 2007 | 2 | ||
| Switch | Mexico | The 100 Best Albums of the 20th Century[citation needed] | 1999 | * | ||
| (*) designates list that is unordered. | ||||||
Track listing
All tracks are written by Charly García
| No. | Title | Length |
|---|---|---|
| 1. | "Nos siguen pegando abajo (Pecado Mortal)" | 3:30 |
| 2. | "No soy un extraño" | 3:18 |
| 3. | "Dos cero uno (Transas)" | 2:09 |
| 4. | "Nuevos trapos" | 4:08 |
| 5. | "Bancate ese defecto" | 4:56 |
| No. | Title | Length |
|---|---|---|
| 6. | "No me dejan salir" | 4:21 |
| 7. | "Los dinosaurios" | 3:28 |
| 8. | "Plateado sobre plateado (huellas en el mar)" | 5:02 |
| 9. | "Ojos de video tape" | 3:37 |
| Total length: | 34:29 | |
Personnel
Credits adapted from Clics modernos` liner notes.[9]
- Charly García – writer, producer, mixer, vocals, keyboards, sampler, groovebox, effects, rhythm box, electric guitar
- Larry Carlton – guitar on "No Soy Un Extraño", "Los Dinosaurios", "Plateado Sobre Plateado (Huellas En El Mar)"
- Pedro Aznar – fretless bass guitar (all tracks except "Nuevos Trapos"), vocals and guitar on "Nos Siguen Pegando Abajo"
- Casey Scheuerell – drums on "Bancate Ese Defecto", "No Me Dejan Salir", "Plateado Sobre Plateado", Simmons drums on "Nos Siguen Pegando Abajo", "No Me Dejan Salir", tabla on "Dos Cero Uno"
- Doug Norwine – saxophone on "Nuevos Trapos"
- Joe Blaney – engineer, mixing
- Ted Jensen – mastering
- Daniel Goldberg – producer assistant
- Carlos Pirín Geniso – producer assistant
- Don Koldom – auxiliar engineer
- Hal Sacks – auxiliar engineer
- Uberto Sagramoso – cover photography
- Ada Moreno – inner booklet photography
