Nina Simone original

Nina Simone (portrait, 1965) recorded the first version of "Don`t Let Me Be Misunderstood"

Composer and arranger Horace Ott came up with the melody and chorus lyrics after a temporary falling out with his girlfriend (and wife-to-be), Gloria Caldwell.[2] Ott then brought it to writing partners Bennie Benjamin and Sol Marcus to complete. Since rules of the time prevented BMI writers (Ott) from officially collaborating with ASCAP members (Benjamin and Marcus), Ott listed Caldwell`s name instead of his own in the songwriting credits.[2][3]

"Don`t Let Me Be Misunderstood" was one of five songs written by Benjamin and Marcus and presented for Nina Simone`s 1964 album Broadway-Blues-Ballads. There, the song was taken at a very slow tempo and arranged around the harp and other orchestral elements including a backing choir that appears at several points. Simone sings it in her typically difficult-to-categorize style.[4]

To some writers, this version of "Don`t Let Me Be Misunderstood" carried the subtext of the Civil Rights Movement that concerned much of Simone`s work of the time;[3] while to others this was more personal, and was the song, and phrase, that best exemplified Simone`s career and life.[5]

The Animals version

The Animals` lead singer Eric Burdon would later say of the song, "It was never considered pop material, but it somehow got passed on to us and we fell in love with it immediately."[6]

The song was recorded in November 1964.[7] The band became a trans-Atlantic hit in early 1965 for their rendition of the song, rising to No. 3 on the UK Singles Chart, No. 15 on the U.S. pop singles chart, and No. 4 in Canada.[8]

Cash Box described it as "a striking combination of R&B and English-rock touches."[9] This single was ranked by Rolling Stone at No. 322 on their list of the 500 Greatest Songs of All Time.[10]

During Animals concerts at the time, the group maintained the recorded arrangement, but Burdon sometimes slowed the vocal line down to an almost spoken part, recapturing a bit of the Simone flavor.[11]

At the South by Southwest festival in 2012, Bruce Springsteen credited the song as the inspiration and the riff for his 1978 song "Badlands".[12]

Santa Esmeralda version

A disco version of the song by the group Santa Esmeralda, which took the Animals` arrangement and transformed it with disco, flamenco, and other Latin rhythm and ornamentation elements, also became a hit in the late 1970s. Their version of the song was first released in summer 1977 as a 16-minute epic that took up an entire side of their Don`t Let Me Be Misunderstood album, which was picked up for greater worldwide distribution by their label at the time, Casablanca Records.[13] The 12-inch club remix was extremely popular, reached No. 1 on the U.S. Billboard Club Play Singles chart and in some European countries as well. Though, the single peaked at No. 4 on the Hot Dance/Disco-Club Play chart.[14] Their 7-inch single version peaked at #15 on the Billboard Hot 100 in the U.S., which is coincidentally the same number at which The Animals version peaked.[15]

Instrumental sections of this version were used in the pilot for the US game show Bullseye and in the 2003 Quentin Tarantino film Kill Bill: Volume I, in the background during the final duel between The Bride (Uma Thurman) and O-Ren Ishii (Lucy Liu).[16]

Charts

Weekly charts

Weekly chart performance for "Don`t Let Me Be Misunderstood"

Year-end charts

Year-end chart performance for "Don`t Let Me Be Misunderstood"

Certifications

Elvis Costello version

British new wave musician Elvis Costello, under the label "The Costello Show", covered "Don`t Let Me Be Misunderstood" for his 1986 album, King of America. The song was a late addition to the album; Costello had originally intended to record "I Hope You`re Happy Now", but throat problems during the final sessions prevented him from doing so.[20] Costello recalled,

Rather than scrap the session we cut a slow, violent version of the Animals/Nina Simone song: "Don`t Let Me Be Misunderstood". The next day we borrowed Michael Blair from Tom Waits` band to add a marimba part, and the record was complete. This may seem ironic as I attacked the song with a vocal capacity that Tom might have rejected as being too hoarse.[20]

Against Costello`s wishes, his American record company, Columbia, insisted on releasing the song as the first single from King of America. The single reached No. 33 in the UK and No. 22 on the Irish Singles Chart, but did not chart in the US. He explained, "My US record company, Columbia, showed their customary imagination in releasing the safe `cover` song as a single ahead of any of the more unusual and heartfelt balladry I had composed. `Don`t Let Me Be Misunderstood` made little impression, and my mounting debt to the company seemed to make them unwilling to risk any further effort on my behalf".[20]

Martin Chilton of The Telegraph ranked the song as Costello`s 26th best song out of 40, stating that Costello "sings it really well".[21]